Through my work, I problematize institutions of learning and governing power structures through bold yet unassuming intervention tactics. Rooted in my personal struggle with agoraphobia, I find power in tje subtle gesture: I acknowledge its potential for disruption and humble grandeur, reminiscent of an unforeseen smile on a lonely day. I aim to unsettle the western canon through the deliberate celebration of alternative aesthetics, wherein I cultivate imagery and ideas. The resultant works are designed not only for momentary consumption but rather with the intention that they persist in the viewer's consciousness, lingering long after the initial encounter.